In the beginning all was void – Genesis by Jacob Lawrence

Signed and Dated by the artist


In the beginning – All was void (from eight passages)
by Jacob Lawrence
Color screenprint chine-collé on St. Armand paper, 1990
Signed and Dated by the artist
No. 1 from the portfolio Eight Passages which illustrates the King James version of the Book of Genesis. Nesbett L90-2.
Edition 22
Size 20″ x 34″ Approx

Jacob Lawrence (September 7, 1917 – June 9, 2000) was an African-American painter known for his portrayal of African-American life. Lawrence referred to his style as “dynamic cubism,” though by his own account the primary influence was not so much French art as the shapes and colors of Harlem.[1]

Lawrence is among the best-known 20th-century African-American painters. He was 23 years old when he gained national recognition with his 60-panel Migration Series,[2] painted on cardboard. The series depicted the Great Migration of African Americans from the rural South to the urban North. A part of this series was featured in a 1941 issue of Fortune Magazine. The collection is now held by two museums. Lawrence’s works are in the permanent collections of numerous museums, including the Philadelphia Museum of Art, the Museum of Modern Art, the Whitney Museum, the Phillips Collection, Metropolitan Museum of Art, the Brooklyn Museum, and Reynolda House Museum of American Art.